? Could you offer me some kind of work here?? I don’t want your charity, I just want an honest job.? Careless: I landed in Britain by accident.Step 7:Consolidation.? Find Henry? Roderick and Oliver were I .making a bet when they saw Henry, a poor young man. ? Know Henry? About a month ago, Henry was sailing and later he found himself carried out to sea by a strong wind. Fortunately, he 2.was spotted by a ship. And it was the ship that brought him to 3.England? Offer money to Henry ? Oliver and Roderick gave Henry a letter and told him that there was money in it. They 4.persuaded him to accept it, and made him 5.promise that it wouldn't be opened until 2 o'clock.Step 8:Language pointsa large amount of: a large quantity of; a great deal ofe.g. They bought a large amount of furniture before they moved their new house.make a bet: make an arrangement to risk money, etc. on an event of which the result is doubtful.e.g. We made a bet on the result of the match.permit sb to do something: allow somebody to do somethinge.g. My mother doesn’t permit me to ride in the street after it rained.by accident: as a result of chancee.g. I only found it by accident.stare at: look at somebody or something with the eyes wide open in a fixed gaze( in astonishment, wonder, fear, etc)to be honest: to tell you the truth; to be franke.g. To be honest, I don’t think we have a chance of winning.Step7 Homework:What do you think will happen to Henry? Will the bank-note help him or get him into trouble?
Everybody wants to get wealth.In today’s material world,making money or becoming wealthy symbolizes a person’s success and capability. Many people just make every effort, pay any price to attain greater wealth. With money,they can buy nice, large apartments in nice neighborhood. With money they can own luxurious cars. Wealth seems to bring all happiness in life.But is wealth the only road to happiness? Not really. There are many things in the world, which are beyond the means of money, such as friendship, love, health and knowledge. People are so preoccupied with struggling for money that they have no time or would not take the time to form or maintain friendship. What happiness can they feel living as lonely miserable creatures without love or friends in the world even if they accumulate tremendous wealth?In my opinion, people can’t do anything without money, but money is not everything. What money will bring you depends on your personal belief and goal in life. If you are kind enough to help others, especially the poor, money is a good thing to you. With it, you can do much more for the benefit of people and your country, and it will add to your own happiness. If you want money just for your own needs, you’ll never be satisfied or happy. In a word,you should have money spent for more people. Only then can money be the source of your happiness.Step 8 Homework4 students in a group, one acts Roderick, one Oliver, one servant and the fourth one acts Henry Adams, then listen to the tape, pay more attention to the difference between American English and British English in pronunciation, stress, tone.
2. 您能看到, 我頭發(fā)太長(zhǎng)了。You can see that my hair is much too long.3. 無(wú)論什么時(shí)候, 只要您想回來(lái)就回來(lái)。Please come back whenever you want.4. 您僅有很少的頭發(fā)要理! You only have too little hair to cut !5. 為您服務(wù)是我的榮幸!It is my honour to serve you!Step 9 Writing(Henry is walking down the street when he sees a sign for a place that cuts hair. He decides to have it cut. )H=Henry B=BarberH: Good afternoon, I’d like to have my hair cut, if I may. (The barber looks at Henry’s hair and continues cutting another man’s hair. ) Er, I’d really like a haircut. As you can see it’s much too long. B: (in a rude manner) Yes, I can see that. Indeed, I can. H: Fine, well, I’ll have a seat then. (He sits in one of the barber’s chairs. The barber turns to look at Henry. )B: It’s quite expensive here, you know! Are you sure you can afford it?H: Yes. I think so. (After his hair is cut, the barber tells Henry how much he must pay. Henry shows the barber the bank note. )B: Why Mr. . . (looks shocked)H: Adams. Henry Adams. I’m sorry. I don’t have any change. B: Please don’t worry! (wearing a big smile) Nothing to worry about! Nothing at all! Please come back whenever you want, even if you only have too little hair to cut! It will be my honour to serve you!Step 10 Pair workExchange drafts with a partner. Use this checklist to help your partner revise his/her draft.1. Are all the elements of a play included and in good order ?2. Do the character use suitable language ?3. Are the stage directions clear and useful ?4. Is the plot clear and exciting enough ?
【參考范文】Narrator:(Henry is smiling as he leaves the restaurant. As he is walking down the street, he sees a sign for a place that cuts hair. He decides to get it cut. )H=Henry;B=Barber;R=rude manH:Good afternoon, I'd like to get a cut, if I may. (The barber looks at Henry's hair and continues cutting another man's hair. )Er, I'd really like a haircut. As you can see it's much too long. B:(in a rude manner) Yes, I can see that. Indeed, I can. H:Fine, well I'll have a seat then. (He sits in one of the barber's chairs. The barber turns to look at Henry. )B:It's quite expensive here, you know!Are you sure you can afford it?H:Yes. I think so. (In comes the rude man. )R:Hey you there. I need a haircut quickly. Can you do me straightaway?B:All right, then, get in the chair and I'll see what I can do. R:Thank you. (sits down in one of the barber's chairs)H:Excuse me, but I was here first. Aren't you going to do my hair first?B:This man's in a hurry. H:Well so am I!I insist that you cut my hair first. B:OK, but I'll have to be quick. This gentleman is waiting. H:Thank you. (They both become quiet. After his hair is cut, the barber tells Henry how much he must pay. Henry shows the barber the bank note. )B:Why, Mr . . . (looks shocked)H:Adams. Henry Adams. I'm sorry, I don't have any change. R:You're that Mr Adams! Well,I'm glad I waited or I might never have known it was you. B:Why, Mr Adams, please don't worry!(wearing a big smile) Nothing to worry about!Nothing at all!Please come back any time, even if you only need too little hairs cut!It will be my honour to serve you!
(1)下面列出的是我國(guó)南北方傳統(tǒng)民居的差異,分析形成這些差異的自然原因:——北方民居正南正北的方位觀比南方強(qiáng);——北方民居的墻體嚴(yán)實(shí)厚重,南方民居的墻體輕?。弧獜谋钡侥?,民居的屋頂坡度逐漸增大,房檐逐漸加寬,房屋進(jìn)深和高度逐漸加大。(2)下面列出的是我國(guó)南北方城市住宅摟的差異,分析導(dǎo)致這些差異的自然原因:——如果不考慮地價(jià)、建筑材料等因素,建同等面積的住房,北方的建筑成本比南方高 ;——建同樣高度的多幢樓房,北方樓房的南北間距比南方大。點(diǎn)撥:本活動(dòng)要求學(xué)生了解由于地理環(huán)境的差異造成南北方建筑物特點(diǎn)的不同,并由此認(rèn)識(shí)地理環(huán)境 差異對(duì)人們生活的影響。(1)比較而言,北方的冬季寒冷而漫長(zhǎng),南方的夏季濕熱而漫長(zhǎng)。為了在冬季充分利用太陽(yáng)光照和熱量,北方民居正南正北的方位觀比南方強(qiáng)。北方民居的墻體嚴(yán)實(shí)厚重,利用在冬季保溫御寒;南方民居的墻體輕薄,利于在夏季通風(fēng)透氣。從北到南,年降水量逐漸增大,民居的屋頂坡度也逐漸增大(利于排水) ;隨著對(duì)保溫要求的降低和對(duì)通風(fēng)納涼要求的提高,民居的屋檐逐漸加寬,房屋進(jìn)深和高度逐漸加大。
活動(dòng)建議:亞馬孫雨林的開(kāi)發(fā)和保護(hù),一直作為一個(gè)兩難問(wèn)題困擾著決策者們。這三個(gè)議題的提出,為決策者們提供了思考的途徑,其實(shí)這也是國(guó)際社會(huì)的呼聲?;顒?dòng)中,可以讓同學(xué)們?nèi)我膺x一個(gè)感興趣的議題,進(jìn)行評(píng)述、整理、發(fā)揮,然后進(jìn)行交流,達(dá)成共識(shí)。或以板報(bào)的形式 進(jìn)行。板書(shū)設(shè)計(jì)第二節(jié) 森林的開(kāi)發(fā)和保護(hù)——以亞馬孫熱帶雨林為例四、亞馬孫開(kāi)發(fā)計(jì)劃及其影響1.全球熱帶雨林被毀的原因⑴直接原因——人類的開(kāi)發(fā)⑵亞馬孫地區(qū),破壞雨林的人類活動(dòng):⑶開(kāi)發(fā)的背景:2.亞馬孫地區(qū)開(kāi)發(fā)過(guò)程⑴從歷史因素看,對(duì)雨林影響不大。⑵20世紀(jì)五六十年代后,影響逐漸加大3.亞馬孫流域 大規(guī)模開(kāi)發(fā)計(jì)劃⑴修建亞馬孫橫貫公路 ⑵移民亞馬孫平原⑶借助外資、鼓勵(lì)跨國(guó)企業(yè)投資開(kāi)發(fā)五、雨林的前途——開(kāi)發(fā)還是保護(hù)1.目前,全球的熱帶雨林正以驚人的速度不斷減少。2.亞馬孫這片全球最大的熱帶雨林,前景也同樣不容樂(lè)觀。3.開(kāi)發(fā) 與保護(hù)?
山西省總結(jié)出了許多重點(diǎn)工礦區(qū)的生態(tài)環(huán)境建設(shè)模式,即圍繞煤田的露天開(kāi)采區(qū)、居民點(diǎn)和主要交通線建設(shè)區(qū),通過(guò)工程及生物措施,結(jié)合土地的復(fù)墾,充分利用廠礦的人力、財(cái)力和科技優(yōu)勢(shì),建立集約經(jīng)營(yíng)的高效蔬菜、水果及肉蛋奶生產(chǎn)基地(圖3.13)。1.說(shuō)一說(shuō)圖中各種工程及生物措施的作用。點(diǎn)撥:參考圖3.13圖中各工程及措施的作用:(1)隔離護(hù)壩:主要作用是將采掘區(qū)與河流隔開(kāi),以免河水流入采掘區(qū)。(2)排水溝:主要作用是引開(kāi)可能進(jìn)入采掘區(qū)的雨水或其他水源。(3)公路緊靠采掘區(qū),方便運(yùn)輸車輛就近從工地上公路。(4)“固沙草方格”,即在流沙表面用麥草、稻草扎成1×1米的草方格,使流沙不易被風(fēng) 吹起,達(dá)到阻沙、固沙的目的,并在草方格上栽種沙蒿、花棒、籽蒿、擰條等沙生植物,建立起旱生植物帶,營(yíng)造擋沙樹(shù)林。
1.根據(jù)下面的材料,歸納珠江三角洲發(fā)展基塘生產(chǎn)有利的地理?xiàng)l件。珠江三角洲地勢(shì)低平,河網(wǎng)密布,降水充沛。北回歸線從珠江三角洲的北部穿過(guò)。桑樹(shù)和甘蔗主要分布于熱帶和亞熱帶。廣州是古代海上絲綢之路的起始地之一。水產(chǎn)品在廣東人的食物結(jié)構(gòu)中占有較大的比重。點(diǎn)撥珠江三角洲地區(qū)發(fā)展基塘農(nóng)業(yè)生產(chǎn)有利條件可以結(jié)合材料,歸納為三個(gè)方面:地形、氣候、市場(chǎng)(當(dāng)?shù)睾秃M猓┚唧w分析略。2.圖4.16所示的基塘生產(chǎn)將哪些產(chǎn)業(yè)聯(lián)系起來(lái)?哪些副產(chǎn)品(或廢棄物)被充分利用起來(lái)?這種聯(lián)系對(duì)農(nóng)村經(jīng)濟(jì)發(fā)展有什么作用?點(diǎn)撥基塘生產(chǎn)環(huán)節(jié)將種植業(yè)(桑、蔗等)、養(yǎng)殖業(yè)(養(yǎng)蠶、養(yǎng)魚(yú))、工業(yè)(絲廠、糖廠)等幾種產(chǎn)業(yè)緊密的聯(lián)系在一起。在此環(huán)節(jié)中,塘泥、蠶沙(蠶屎)、蠶蛹、繅絲、濾泥、蔗葉等副產(chǎn)品被充分的回收利用。養(yǎng)蠶業(yè)、蔗糖加工業(yè)同塘魚(yú)養(yǎng)殖業(yè)緊密結(jié)合,作為一種綜合的經(jīng)營(yíng),幾者之間相互依存、相互促進(jìn)、揚(yáng)長(zhǎng)補(bǔ)短,有機(jī)地循環(huán)聯(lián)系起來(lái)。
1.閱讀圖5.16,說(shuō)明產(chǎn)業(yè)向國(guó)外轉(zhuǎn)移對(duì)日本經(jīng)濟(jì)的不利影響。點(diǎn)撥:圖5.16直觀的顯示了產(chǎn)業(yè)轉(zhuǎn)移對(duì)日本經(jīng)濟(jì)的不利影響:形成“產(chǎn)業(yè)轉(zhuǎn)移出去的多,轉(zhuǎn)移進(jìn)來(lái)的少→國(guó)內(nèi)生產(chǎn)投資不足,生產(chǎn)困難→市場(chǎng)萎縮→產(chǎn)業(yè)向外轉(zhuǎn)移,外資不愿進(jìn)入”的惡性循環(huán)。2.盡管重化工業(yè)的環(huán)境污染比較嚴(yán)重,但是卻能為工業(yè)化的發(fā)展提供堅(jiān)實(shí)的基礎(chǔ),因此成為發(fā)達(dá)工業(yè)的象征。日本、韓國(guó)的經(jīng)濟(jì)發(fā)展都經(jīng)歷了由輕工業(yè)(勞動(dòng)密集型)到重化工業(yè)(資源密集型和資金密集型)到高科技工業(yè)(技術(shù)密集型)的階段。(1)為什么日本、韓國(guó)在重點(diǎn)發(fā)展重化工業(yè)之前,要先發(fā)展勞動(dòng)密集型工業(yè)?點(diǎn)撥:重化工業(yè)的發(fā)展一方面需要有一定的工業(yè)基礎(chǔ)和技術(shù)工人,另一方面需要投入大量的資金,先發(fā)展勞動(dòng)密集型工業(yè)有利于利用勞動(dòng)力資源豐富且廉價(jià)的優(yōu)勢(shì),積累資金和造就產(chǎn)業(yè)工人。所以,勞動(dòng)力豐富的發(fā)展中國(guó)家或地區(qū)的工業(yè)化往往從優(yōu)先發(fā)展勞動(dòng)密集型工業(yè)開(kāi)始。
2.通過(guò)西氣東輸輸送到上海的天然氣,價(jià)格只相當(dāng)于進(jìn)口天然氣的3/4、同等熱值煤氣的 2/3。你認(rèn)為是否應(yīng)該提高天然氣的價(jià)格,以促進(jìn)西部的發(fā)展。點(diǎn)撥:可以從不同方面分析。⑷對(duì)環(huán)境的影響①有利于改善東部地區(qū)的大氣質(zhì)量據(jù)監(jiān)測(cè)顯示,在同等熱值的情況下,與煤炭相比,利用天然氣作燃料幾乎不產(chǎn)生二氧化硫、粉塵等污染物質(zhì),氮氧化物和二氧化碳的排放量也大為減少。長(zhǎng)江三角洲地區(qū)的能源長(zhǎng)期高度依賴煤炭,例如,上海市煤炭消費(fèi)量占能源消費(fèi)總量的70%。從西部地區(qū)輸送來(lái)的天然氣,可以部分替代煤炭。②為了最大限度減少對(duì)沿線地區(qū)生態(tài)環(huán)境的影響,西氣東輸工程在建設(shè)過(guò)程中,嚴(yán)格環(huán)境保護(hù)的要求。③在沿線農(nóng)村地區(qū)推廣使用天然氣,可減少農(nóng)民對(duì)薪柴的需求,從而緩解因植被破壞而帶來(lái)的環(huán)境壓力。
乾隆五十五年(公元1790年),在安徽一帶很有名氣的“三慶”徽戲班,來(lái)到北京演出?;諔蛟诒本┙?jīng)常和其他劇種同臺(tái)演出,注意吸收和借鑒他們的長(zhǎng)處。尤其是與以唱二黃調(diào)和西皮調(diào)為主的漢戲的合演,逐漸形成了二黃與西皮的合流,形成了“徽漢合流”的局面,后來(lái)徽劇又吸收其他民間曲調(diào)的唱腔、劇目和表演方式,逐漸形成以“皮黃”為主要聲腔的京劇。到1840年左右,京劇的唱腔、念白、劇本和表演已經(jīng)成熟,尤其是出現(xiàn)了以演“京戲”為主的一批演員,他們不再以徽戲、漢戲?yàn)槊匝荨熬颉弊跃?。從此,誕生了一個(gè)獨(dú)立的劇種──京劇。2、京劇的發(fā)展早期的京劇以迷人的唱腔、豐富的劇目、精彩的表演和京腔京味吸引了觀眾,使京城出現(xiàn)了京劇熱。同治、光緒年間,京劇已經(jīng)被京城市民承認(rèn),成為人們最喜愛(ài)的舞臺(tái)藝術(shù)。并涌現(xiàn)出著名的“同光十三絕”。
另一方面,其余的人反對(duì)這個(gè)計(jì)劃,因?yàn)樗赡軙?huì)導(dǎo)致一些不好的影響。7.I hold the belief that space exploration not only enable us to understand how the universe began but also help us survived well into the future.我堅(jiān)信探索太空不僅能夠使我們了解宇宙的起源而且能夠幫助我們更好地走進(jìn)未來(lái)。8.I think we should spend more time and money exploring space so as to provide new and better solutions to people's shortterm and longterm problems.為了給人類的短期和長(zhǎng)期問(wèn)題提供更新和更好的解決方法,我認(rèn)為我們應(yīng)該花更多的時(shí)間和金錢(qián)來(lái)探索太空。9.From my point of view,it is wrong of young people to depend on their telephones too much,which may do harm to both their physical and mental health.在我看來(lái),年輕人過(guò)度依賴手機(jī)是不對(duì)的,因?yàn)樗鼈兛赡軙?huì)對(duì)他們的身心健康都有害。最近你班同學(xué)就“人類是否應(yīng)該進(jìn)行宇宙探索”這個(gè)問(wèn)題進(jìn)行了激烈的討論。有人認(rèn)為,探索宇宙不僅讓人類更好地了解宇宙的發(fā)展,還可以用來(lái)指導(dǎo)農(nóng)業(yè)生產(chǎn),以及把一些探索太空的高新技術(shù)用于現(xiàn)實(shí)生活;也有一些人認(rèn)為探索太空花掉了大量的人力物力;影響了人們的生活水平。請(qǐng)你根據(jù)以下情況寫(xiě)一篇報(bào)告并發(fā)表自己的觀點(diǎn)。注意:1.寫(xiě)作內(nèi)容應(yīng)包括以上全部要點(diǎn),可適當(dāng)發(fā)揮,使上下文連貫;
4.They were going to find someone to take part in their bet when they saw Henry walking on the street outside.[歸納]1.過(guò)去將來(lái)時(shí)的基本構(gòu)成和用法過(guò)去將來(lái)時(shí)由“would+動(dòng)詞原形”構(gòu)成,主要表示從過(guò)去某一時(shí)間來(lái)看將要發(fā)生的動(dòng)作(尤其用于賓語(yǔ)從句中),還可以表示過(guò)去的動(dòng)作習(xí)慣或傾向。Jeff knew he would be tired the next day.He promised that he would not open the letter until 2 o'clock.She said that she wouldn't do that again.2.表示過(guò)去將來(lái)時(shí)的其他表達(dá)法(1)was/were going to+動(dòng)詞原形:該結(jié)構(gòu)有兩個(gè)主要用法,一是表示過(guò)去的打算,二是表示在過(guò)去看來(lái)有跡象表明將要發(fā)生某事。I thought it was going to rain.(2)was/were to+動(dòng)詞原形:主要表示過(guò)去按計(jì)劃或安排要做的事情。She said she was to get married next month.(3)was/were about to+動(dòng)詞原形:表示在過(guò)去看來(lái)即將要發(fā)生的動(dòng)作,由于本身已含有“即將”的意味,所以不再與表示具體的將來(lái)時(shí)間狀語(yǔ)連用。I was about to go to bed when the phone rang.(4)was/were+現(xiàn)在分詞:表示在過(guò)去看來(lái)即將發(fā)生的動(dòng)作,通常可用于該結(jié)構(gòu)中的動(dòng)詞是come,go,leave,arrive,begin,start,stop,close,open,die,join,borrow,buy等瞬間動(dòng)詞。Jack said he was leaving tomorrow.
(學(xué)生展開(kāi)暢敘所談,言之有理即可。)歸納:以上因素在人物語(yǔ)言表達(dá)中是綜合體現(xiàn)的,所以在寫(xiě)作時(shí)必須周密思考,使人物語(yǔ)言體現(xiàn)的人物性格更豐富,更有立體感。(3)行動(dòng)描寫(xiě)矛盾先生曾說(shuō):“人物性格必須通過(guò)行動(dòng)來(lái)表現(xiàn)?!蔽覀?cè)趯?xiě)作文時(shí),應(yīng)當(dāng)注意描寫(xiě)最能揭示人物本身的獨(dú)特性格的,最合乎人物地位,身份的動(dòng)作,從而使人物形象更生動(dòng)。行動(dòng)描寫(xiě)要注意哪些方面?A、選擇具有代表性,最能表現(xiàn)人物性格的行動(dòng)來(lái)寫(xiě)。如《守財(cái)奴》中的老葛朗臺(tái)的性格特點(diǎn)。B、要善于選擇具有表現(xiàn)力的動(dòng)詞,把人物的行動(dòng)準(zhǔn)確傳神地描寫(xiě)出來(lái)。(4)側(cè)面描寫(xiě)寫(xiě)作不僅可以從正面對(duì)人物加以刻畫(huà),也可以通過(guò)周圍各種不同人物的眼看,嘴講等方式,從側(cè)面起到烘托某個(gè)特定人物的作用。(請(qǐng)學(xué)生欣賞片段《茶花女》,《紅樓夢(mèng)》,教師歸納。)
三、教師總結(jié):在那如火如荼的苦難歲月,梁任公的政治主張屢屢因時(shí)而變,但為人處世的原則始終未變,他不是馮自由等人所描述的那種變色龍。他重感情,輕名利,嚴(yán)于律己,坦誠(chéng)待人。無(wú)論是做兒子、做丈夫、做學(xué)生,還是做父親、做師長(zhǎng)、做同事,他都能營(yíng)造一個(gè)磁場(chǎng),亮出一道風(fēng)景。明鏡似水,善解人意是他的常態(tài),在某些關(guān)鍵時(shí)刻,則以大手筆寫(xiě)實(shí)愛(ài)的海洋,讓海洋為寬容而定格,人間為之增色。我敢斷言,在風(fēng)云際會(huì)和星光燦爛的中國(guó)近代人才群體中,特別是在遐邇有知的重量級(jí)歷史人物中,能在做人的問(wèn)題上與梁?jiǎn)⒊仍囌呤遣淮笕菀渍业降?。四、課后作業(yè):找出文中細(xì)節(jié)及側(cè)面描寫(xiě)的地方,想一想這樣寫(xiě)有什么好處,總結(jié)本文的寫(xiě)作特點(diǎn)。五、板書(shū)設(shè)計(jì):梁任公演講特點(diǎn):
1.懸念法懸念法又稱關(guān)子。它是作者為了激發(fā)那種“緊張與期待的心理活動(dòng)”,在行文中有意采取的一種積極而有效的手段。這種手段包括“設(shè)懸”和“解懸”兩方面。所謂 “設(shè)懸”就是設(shè)置懸念,即在情節(jié)發(fā)生發(fā)展的關(guān)鍵時(shí)刻或人物命運(yùn)攸關(guān)的重要關(guān)頭,敘述戛然而止,轉(zhuǎn)敘他事。從而引起讀者強(qiáng)烈的尋根問(wèn)底的興趣。所謂“解懸” 也叫“釋?xiě)摇保褪侵冈谇楣?jié)發(fā)展的特定階段,通過(guò)矛盾的解決,揭示事情原委和人物命運(yùn)的結(jié)局,使讀者的期待心理得以滿足。如《驛路梨花》,當(dāng)人們正為露宿而發(fā)愁時(shí)出現(xiàn)了一間神秘的小屋,小屋的主人是誰(shuí)呢?猜想間,有人來(lái)了,但也不是屋子主人,那小屋子的主人是誰(shuí)呢?終于知道了小屋是解放軍蓋的,但為什么要蓋這間小屋呢?這樣“設(shè)懸——釋?xiě)摇獛С鲂聭夷睢?,環(huán)環(huán)相扣、層層遞進(jìn),使文章韻味無(wú)窮。
天上有明月,年年照相思。她夜夜沉醉在夢(mèng)中。夢(mèng)把空間縮短了,夢(mèng)把時(shí)間凝固了,夢(mèng)把世界凈化了。夢(mèng)中沒(méi)有污穢,沒(méi)有嘈雜,沒(méi)有邪惡;夢(mèng)中沒(méi)有分離,沒(méi)有創(chuàng)傷,沒(méi)有痛苦;夢(mèng)中只有柔和的月色,只有溫馨的愛(ài);夢(mèng)使她永遠(yuǎn)年輕,使她不原醒來(lái)。…………啊,那個(gè)世界,是為天下最真最善最美的心靈準(zhǔn)備的,藝術(shù)家懷著虔誠(chéng)的情感,用充滿魔力的琴弦,在人們的心中筑起了一座不朽的天堂,它像天地一樣長(zhǎng)久,日月一樣永恒!新月微微地閉著眼睛,她清清楚楚地看到了那座天堂,真真切切地觸到了那座天堂,冰凌砌成墻壁,白云鋪成房頂,霧靄織成紗幔,星星串成明燈;在那里,她的頭發(fā)像沐浴之后那樣清爽柔軟,隨風(fēng)飄拂,她的肌膚像披著月光那樣清涼潤(rùn)滑,她的那顆心啊,像浸潤(rùn)著蒙蒙細(xì)雨的花蕾,掛著晶瑩的露珠,自由地呼吸……她沉醉在那個(gè)一塵不染的美好的境界,如歌如詩(shī),如夢(mèng)如幻,如云如月,如水如煙……
3.作者為什么不直接描寫(xiě)人們看見(jiàn)東西呢?請(qǐng)同學(xué)們找出其中的細(xì)節(jié)描寫(xiě),并說(shuō)明有什么表達(dá)效果。答:側(cè)面烘托,正是作者高明之處,這也是許多佳作常用之法。細(xì)節(jié)描寫(xiě)往往會(huì)成為事情的切入點(diǎn)和突破口,一篇佳作往往離不開(kāi)一些細(xì)節(jié)描寫(xiě),本文也不例外,有些細(xì)節(jié)描寫(xiě)耐人尋味,如:“德國(guó)人撤退時(shí)炸毀的布熱金卡毒氣室和焚尸爐廢墟上,雛菊花在怒放?!薄斑@是一個(gè)二十多歲的姑娘,長(zhǎng)得豐滿,可愛(ài),皮膚細(xì)白,金發(fā)碧眼。她在溫和地微笑著,似乎是為著一個(gè)美好而又隱秘的夢(mèng)想而微笑?!?.句子賞析:“對(duì)另外一些人來(lái)說(shuō),這樣一個(gè)事實(shí)使他們終生難忘:在德國(guó)人撤退時(shí)炸毀的布熱金卡毒氣室和焚尸爐廢墟上,雛菊花在怒放?!泵鞔_:一邊是戕害生命的毒氣室和焚尸爐,一邊是生機(jī)勃勃的生命,兩種反差極大的事物擺在一起。表達(dá)了作者對(duì)納粹的諷刺:納粹的殘暴終歸阻止不了生命的進(jìn)程。同時(shí)也表達(dá)了作者的控訴:生命的綻放是人世間最美好的事情,對(duì)生命的戕害是最惡劣的罪行。
寫(xiě)作指導(dǎo):第一題要求寫(xiě)出自然美,在自然美中融進(jìn)自己的感情。小路、流水、山巒、森林、天空、大海……都是實(shí)體事物,因此首先要求用寫(xiě)生的辦法把它們表現(xiàn)出來(lái),要寫(xiě)得準(zhǔn)確,寫(xiě)出它們的特點(diǎn)和個(gè)性,尤其是寫(xiě)出它們的美。同時(shí),也要把贊美之情不落痕跡地融化在描寫(xiě)之中。第二題是寫(xiě)一幅風(fēng)景畫(huà)或一張風(fēng)景照片中的自然美景,以及美景中的一些細(xì)節(jié),同時(shí)把自己心動(dòng)的感覺(jué)寫(xiě)出來(lái)。在這里,關(guān)鍵是找到畫(huà)或照片中的美,找到心動(dòng)的感覺(jué),如果找到了,再用文字把這美和感覺(jué)表達(dá)出來(lái)。當(dāng)然,寫(xiě)風(fēng)景美和寫(xiě)自己的感覺(jué)應(yīng)是乳水交融的。第三題是用動(dòng)情的筆墨把自己的一種經(jīng)歷寫(xiě)出來(lái)。這些經(jīng)歷似乎都是細(xì)節(jié),都不是驚天動(dòng)地的大事。是細(xì)節(jié),就容易碰到,在題目列舉的四種中,學(xué)生不難找到。即使不在這四種中,也可以,只要這種經(jīng)歷給了自己心靈以震撼或潛移默化的影響。
一、教學(xué)目標(biāo)1.指導(dǎo)學(xué)生以一顆真摯的童心、愛(ài)心面對(duì)大自然,促使學(xué)生的心靈與大自然親切交流。2.使學(xué)生明確寫(xiě)景文章的寫(xiě)作范圍、寫(xiě)作重點(diǎn)、構(gòu)思技巧。二、教學(xué)重難點(diǎn)明確話題,寫(xiě)景抓住特征,注重感情。三、教學(xué)方法多重對(duì)話法四、教學(xué)過(guò)程1.導(dǎo)入語(yǔ):自然是人類生活的環(huán)境,是人類賴以生存的基礎(chǔ)。人類不僅在物質(zhì)上需要大地母親的哺育,而且在精神上也需要向自然尋求依托。當(dāng)知時(shí)節(jié)的春雨飄落大地時(shí),當(dāng)秋風(fēng)吹來(lái)誘人的果香時(shí),感到喜悅、幸福的決不僅是農(nóng)民;過(guò)去的政治家、文學(xué)家,每當(dāng)失意的時(shí)候,就會(huì)寄情山林;就是我們中學(xué)生,當(dāng)不堪學(xué)習(xí)重負(fù),感到身心疲憊的時(shí)候,去野外踏青,不也能愉悅身心嗎?可以說(shuō)人對(duì)自然的情懷是與生俱來(lái)的。但不同的人,對(duì)自然的感悟有深淺不同,情趣有高下之分。“萬(wàn)類霜天競(jìng)自由”的感悟,“大漠孤煙直”的審美不是人人都能有的。2.面對(duì)大自然,通過(guò)什么樣的手段來(lái)促使我們的感悟、審美向高深方向發(fā)展呢?哪位同學(xué)說(shuō)說(shuō)。