本文篇幅較長,并且有一字句不易理解,因而對高一學(xué)生來說完全讀懂內(nèi)容有一些困難。這樣的話,老師就要做好引導(dǎo)工作,把一些難點,或是出現(xiàn)詞類活用比較多,局勢比較特殊的句子,老師可以先給學(xué)生畫出來,存疑,或是與同學(xué)們一起討論解決。對那些不易懂的字詞就引導(dǎo)學(xué)生聯(lián)系上下文提供的語境、前后涉及的情節(jié)加以推測、判斷,以培養(yǎng)學(xué)生依據(jù)文脈推斷詞義的好方法。要求學(xué)生點出重點實詞、框出通假字,主要是為幫助學(xué)生積累和掌握一些文言文中常見的一詞多義、異讀現(xiàn)象、古今異義和通假現(xiàn)象的詞語,并進一步得出規(guī)律,指導(dǎo)今后的文言文學(xué)習(xí)。詞類活用和特殊句式在文言文翻譯中難度較大,也是本文教學(xué)的兩大難點。要求學(xué)生標(biāo)出有活用現(xiàn)象的字和劃出句式特殊的句子,是基于兩點考慮:1、積累一定數(shù)量的第一手例句;2、引導(dǎo)學(xué)生加以分類,找出每類的相同特征,并抽取出來形成規(guī)律性的東西,從而上升到理性認(rèn)識,使學(xué)生能由學(xué)會一個到會學(xué)多個。翻譯過程中注重指導(dǎo)學(xué)生養(yǎng)成用符號法表示重點字句的好習(xí)慣,如點、框、圈、劃線等符號應(yīng)約定一致,便于突出翻譯中的重點、難點及復(fù)習(xí)。我的提示著重歸納了實詞“制”“亡”“遺”“利”等,名詞活用、形容詞活用、使動用法,被動句、狀語后置句。
《勸學(xué)》是普通高中課程標(biāo)準(zhǔn)試驗教科書語文必修三第三單元的重點篇目,該文集中反映著名思想家荀子在學(xué)習(xí)問題上的觀點和精彩斐然的論證藝術(shù)。該單元所選課文都是古代的議論性散文。通過本單元的學(xué)習(xí)在于讓學(xué)生感受我國傳統(tǒng)文化的精神,掌握基礎(chǔ)的文言語法知識,學(xué)習(xí)如何清晰有力的表達自己的思想和見解。本文安排在單元的第一篇,如何指導(dǎo)學(xué)生學(xué)好這篇課文,是實現(xiàn)“授之以漁”,樹立學(xué)生學(xué)好文言文的信心,掌握文言學(xué)習(xí)方法的關(guān)鍵。根據(jù)新課標(biāo)倡導(dǎo)從“知識與能力”、“過程與方法”、“情感態(tài)度與價值觀”三方面出發(fā)設(shè)計課程目標(biāo)的要求和高一的學(xué)生對于文言文的知識還在積累的階段,應(yīng)該注重基礎(chǔ)知識的積累和一定量的誦讀的實際情況。我擬確定以下教學(xué)目標(biāo):1,了解荀子論述學(xué)習(xí)的思想,明確學(xué)習(xí)要靠積累、堅持不懈、專心致志的道理。2,掌握積累文言實詞、虛詞,活用、古今異議等現(xiàn)象和固定句式。
各位評委老師,大家好。我說課的題目是《祝福》。一、說教材(一)教材所處的位置和地位高中語文新課程教材必修五本書,共有2個單元中外小說單元。一個必修3的第一單元,一個是必修5的第一單元,共六篇文章。(《林黛玉進賈府》《祝福》《老人與?!贰读纸填^風(fēng)雪山神廟》《裝在套子里的人》《邊城》)《祝?!肥菍儆谇罢?。小說是擁有眾多讀者的一種文體,它可以多方面刻畫人物性格,描摹人物心理,完整地表現(xiàn)人物之間的沖突,還可以具體生動地再現(xiàn)人物生活的環(huán)境,因此在反映復(fù)雜的社會生活方面具有獨特優(yōu)勢。所以學(xué)習(xí)小說這種文學(xué)樣式,也是有助于學(xué)生學(xué)會鑒賞小說的基本方法,為將來的小說閱讀打下基礎(chǔ)。魯迅的《祝?!肥侵袊F(xiàn)代小說的精品,當(dāng)中的人物祥林嫂也是魯迅小說中與阿Q、孔乙己三個最為出名的人物之一。研讀好這篇文章,對將來小說的閱讀,小說中人物的理解,甚至小說的寫作都有深廣意義。
Step 2 Pre-listeningAfter students finish their discussion, I will show a picture of Newton and ask them: Who is him? What is he famous for? Could you find out some words to describe him? Maybe students will answer that he is genius for his finding of theGravitation, making a great contribution to the progress of human being. At that time I will show another two pictures of Einstein and Hawking, letting students guess who they are and write down their idea about the Gravitation. For I have arranged them to search more information about the gravity before this class, Students have beenfamiliar with the topic and will not be afraid about this abstract conception, which is helpful for their listening.Step 3 While-listeningIn this step, students will be required to listen the material for three times. The first and listening is extensive listening and the second and third listening is intensive listening. In the first time, They are required to listen a material including Part 1 and Part 2 and choose the best summary of the listening text. After they choose the right answer, They also need work in group to explain what is wrong with the others. Then I will make a conclusion that we should pay attention to the first paragraph and last paragraph and some keys to get the main idea. By doing this, their capacity of generalization will have a great improvement.Before the second listening, I will ask students to scan the blank on the power point quickly and ask them to note down some key words .Then ask them to listen to the Part 1again and fill the first column of the chart. Maybe some students just show the ideas of these three scientists an still can’t catch their development of gravity. Therefore, I will ask them to listen to Part 2 again and fill in the rest. After finish the listening, I will give them ten minutes to discuss with their partner. I will also guidethem to improve their answers when they discuss with others.
Teaching plan for Unit 1 book3Good morning, teachers. It’s my great pleasure to be here because I can share my lesson with you and I can learn a lot from it. I’ll begin my lesson from the following four parts, the teaching material, the teaching methods, the studying methods and the teaching procedure.Firstly, let me talk about the teaching material. The content of my lesson is the reading passage festivals and celebrations of Unit 1 Festivals around the world. This passage is about festivals and celebrations. By studying this passage, we’ll enable the students to know that festivals exit everywhere, and many of festivals in different countries celebrate similar ideas. As we all know, the reading passage is the center of each unit. If the Ss can learn it well, it will be helpful to make the Ss learn the rest of this unit.After studying the teaching material, I think the teaching aims are as the followings:1. Knowledge aims:(1) The Ss can master the usage of the important words andexpressions.(2)The Ss can use the __________________ (grammar) in the proper situation.Make students know about the festivals all over the world and the detail of the festivals, such as origin, content, and the date of the holiday festivals.2. Ability aims:(1) Students can talk about festivals and celebrations in English(2) To improve the student’s reading ability, especially their skimming and scanning ability.3. Emotion aims:Make the Ss know about the foreign festivals, and respect other countries’ custom.Next, let’s come to the important points and the difficult points.The important point is how to make the Ss understand the text better and the difficult point is how can they talk about it. secondly, Teaching Methods:1. task-based Language Teaching2. Computer assisted language teaching.3. question-and–answer methodThirdly, Studying Methods:
在接下來的細(xì)讀環(huán)節(jié),我套用了高考對閱讀理解的考查方式設(shè)置了5個問題,分別為三個推理判斷題,一個細(xì)節(jié)題和一個主旨大意題。學(xué)生需要對文章的內(nèi)容進行分析、歸納、推理、猜測等高級思維活動才能做出正確的回答?!驹O(shè)計意圖】這一過程是對學(xué)生進行細(xì)讀的訓(xùn)練,培養(yǎng)學(xué)生獲取特定信息和挖掘文章深層次信息的能力。第三環(huán)節(jié):Intensive-reading (精讀) 15′第三個環(huán)節(jié)精讀,既是最重要的環(huán)節(jié),也是突破本課重難點的關(guān)鍵。首先,讓學(xué)生思考劇本中人物看到百萬英鎊前后的態(tài)度發(fā)生了怎樣的變化。其次,讓學(xué)生仔細(xì)閱讀文章,找出可以表現(xiàn)人物態(tài)度變化的具體的語言和動作。最后,讓學(xué)生總結(jié)人物的態(tài)度發(fā)生變化的根本原因是什么,從而引出Money Talks, 供學(xué)生思考?!驹O(shè)計意圖】通過一系列的活動培養(yǎng)學(xué)生學(xué)習(xí)從人物的語言和動作探究人物的心理,使學(xué)生進一步體會戲劇語言的魅力,從而對文章背后所反映的社會問題進行思考,也為下一步的討論環(huán)節(jié)做好鋪墊。
(明確:“寡人之于國也,盡心焉耳矣”,但“寡人之民不加多,何也?”)②他認(rèn)為自己對國家政務(wù)盡心盡力了,他有哪些具體做法?(明確:移民移粟)③第2—4節(jié)中孟子是怎樣說明梁惠王移民移粟的措施與“鄰國之政”并無本質(zhì)區(qū)別的?(明確:孟子不直接回答“民不加多”的問題,而是用梁惠王熟悉的“戰(zhàn)”設(shè)喻——設(shè)圈套,誘使對方在不知不覺中說出“不可,直不百步耳,是亦走也?!保苊献诱J(rèn)為怎樣才能做到“王道之始”?要想“王道之成”還需采取哪些措施?(明確:“不違農(nóng)時,谷不可勝食也。數(shù)罟不入氵夸池,魚鱉不可勝食也。斧斤以時入山林,材木不可勝用也。谷與魚鱉不可勝食,材木不可勝用五畝之宅,樹之以桑,五十者可以衣帛矣。雞豚狗彘之畜,無失其時,七十者可以食肉矣。百畝之田,勿奪其時,數(shù)口之家,可以無饑矣。謹(jǐn)庫序之教,申之以孝涕之義,頒白者不負(fù)戴于道路矣。)這一小步的目的是想讓學(xué)生通過這些問題的解答,可以進一步理清思路,掌握文的大概內(nèi)容。
3、重要語句的理解“可是一個人并不是生來要給打敗的,你盡可把它消滅掉,可就是打不敗他。”解析:這是老人第一次回合之后的內(nèi)心獨白,也是此小說的核心精神,充分體現(xiàn)了老人桑地亞哥的生命理念。整句話可以分為兩部分來理解,前句告訴我們,人生活在自然與社會當(dāng)中,必不可少要面臨一些坎坷、磨難,這些磨難、坎坷完全可以造成軀體的消滅、消亡,這是人生命的脆弱性。后句,面對挫折,只要保持一種樂觀的精神,擁有一顆堅強的心靈,那么,人類執(zhí)著奮斗的精神將永不磨滅。4、象征主義題目是《老人與?!?,而表明上,小說是寫一位老人及其在海上的經(jīng)歷,但實際上,老人的形象極具概括性,他已經(jīng)超越了一個人的存在,而成為了人生的一種象征。老人桑地亞哥就是“硬漢子”的代表,大海則是生命旅途的象征,鯊魚則是我們行走中的“強物”,厄運的象征。人的一生不可能一帆風(fēng)順,不經(jīng)歷風(fēng)雨,怎能見彩虹,走在人生路途中,不可避免我們都要遇到挫折,被厄運所阻撓,只有經(jīng)歷與“鯊魚”的較量,才能成為強者,唱出最美的歌。
1.說教材《記念劉和珍君》是魯迅先生用飽醮著熱淚,用悲憤的筆調(diào)寫下的一篇感人至深的散文,既有對愛國青年沉痛的悼念,又有對反動派憤怒的控訴,也有對覺醒的國民的吶喊。《記念劉和珍君》是高中語文必修1第三單元第一課的講讀課文。文中描摹人物的音容笑貌,敘述人物的行為事跡,都融入了作者真摯的情感和深刻的感悟。對學(xué)生明辨是非,領(lǐng)悟時代精神和人生意義,有著重要的作用。新課標(biāo)強調(diào)了要全面提升高中學(xué)生的語文素養(yǎng),初步形成正確的世界觀、人生觀、價值觀,并學(xué)會收集、判斷、處理信息,具有人文素養(yǎng)、創(chuàng)新精神與實踐能力。同時,《記念劉和珍君》感情真摯,感悟深刻,具有典型人文性。結(jié)合本單元教學(xué)目標(biāo),確立教學(xué)目標(biāo)如下。
4、學(xué)習(xí)全詞:(1)背景介紹,讓學(xué)生看課文中的年代,然后讓學(xué)生回憶1925年的毛澤東的情況,老師適當(dāng)提示,讓學(xué)生了解其背景。(出示幻燈片)(2)學(xué)生自由朗讀,結(jié)合注釋和背景理解詩詞。(3)師生共同理解全詞①先讓學(xué)生齊讀前三句,思考正確的語序,并用正常的語序解釋。②品味第三到第十句,這里是教學(xué)的一個重點,要讓學(xué)生先讀,再理解,在此基礎(chǔ)上訓(xùn)練學(xué)生的想象能力。③分析上闕中的最后三句。④小結(jié)上闕。提出了一個問題“誰主沉浮”讓學(xué)生在文中找內(nèi)容回答,然后轉(zhuǎn)入下闕內(nèi)容的分析。⑤分析下闕內(nèi)容,回答“誰主沉浮”的問題,突出本文主旨5、描繪詩詞形象:學(xué)生用自己的語言把上闕的內(nèi)容生動地描繪出來。6、欣賞學(xué)生優(yōu)秀作品。(根據(jù)時間具體而定,也可以作為課后作業(yè))
四、教學(xué)方法和學(xué)法。課前學(xué)生搜集有關(guān)《詩經(jīng)》的資料必不可少。另外,時隔數(shù)千年,年代久遠,文字的障礙很大,然而,過分糾纏于文字的疏通會破壞詩歌的“氣”,喪失詩歌的“神”,所以在學(xué)習(xí)時,應(yīng)舍去條分縷析的理論評價,指導(dǎo)學(xué)生結(jié)合注釋疏通文字,然后引領(lǐng)他們經(jīng)由文字再現(xiàn)形象和事件,經(jīng)由形象和事件領(lǐng)略情感,感受其中濃濃的詩情。誦讀的環(huán)節(jié)是重要的,配以二胡獨奏《長相思》,營造意境,學(xué)生沉浸在音樂營造的意境中反復(fù)吟詠,讀出節(jié)奏,讀出音調(diào),讀出感情,細(xì)細(xì)體味,讓或優(yōu)或喜的情愫縈繞心間,我們就觸到了先民的靈魂。比興手法為《詩經(jīng)》獨創(chuàng),重章疊句同樣別致而新鮮,教學(xué)過程中結(jié)合具體語境讓學(xué)生自己去發(fā)現(xiàn)并進行討論,不搞枯燥的知識傳授。還引入講故事、改寫兩種活潑的學(xué)習(xí)形式,從而達到加深理解的目的。
(二)分析課文,理清思路第1、2段為第一部分,主要是敘事、寫景,先敘述集會的時間、地點,然后渲染出蘭亭優(yōu)美的自然環(huán)境。在這里足以“游目騁懷”“極視聽之娛”,可以自由地觀察、思考,滿足人們目視耳聞的需求。這里正是與會“暢敘幽情”、盡興盡歡的絕好處所。這些描寫都富有詩情畫意,作者的情感是輕松愉快的。第3、4段為第二部分,主要是抒情、議論,作者由美景妙時引發(fā)出樂與憂、生與死的感慨。他認(rèn)為人生的快樂是有極限的,待快樂得到滿足時,就會感覺興味索然。往事轉(zhuǎn)眼間便成為歷史,人到了生命的盡頭就會死亡。作者由“一死生為虛誕,齊彭殤為妄作”的認(rèn)識,產(chǎn)生了一種珍惜時間、眷戀生活、熱愛文明的思考。雖然文中的壽夭、生死不能自由決定,從而有些傷感,但作者仍然認(rèn)識到盛衰、生死是必然的。人生無常,時不我待,故著文留傳后世,以承襲前人,啟示來者。
3、拓展延伸,啟迪心智,創(chuàng)設(shè)課堂訓(xùn)練營。三、說學(xué)法1、紙上得來終覺淺,圈點、勾畫、批注法,學(xué)好文言基本功。2、自主合作加探究,眼耳口腦手并用,破疑解難在其中。四、說課時安排《鴻門宴》篇幅較長,文言知識較豐富,文章內(nèi)涵豐厚,因此我設(shè)計用五課時教學(xué)本文。第一課時:了解作家作品,積累文言知識,感受作者隱忍發(fā)憤的著書精神(初讀)第二課時:理清故事情節(jié),概括人物形象,學(xué)習(xí)客觀地評論歷史人物,(熟讀)第三課時:進一步梳理文言知識,精讀課文,要求讀透。(精讀)第四課時:通過對人物、事件的賞析,加深學(xué)生對人物的理解,鍛煉學(xué)生的開放性思維,由學(xué)生自主認(rèn)識到人物的性格,悲劇的原因等問題。(賞讀)第五課時:補充課本教學(xué)內(nèi)容:同學(xué)生一起閱讀古今關(guān)于劉邦項羽的一些篇章:讓學(xué)生投入進來,把握自己眼中的項羽。(展讀)在文言文學(xué)習(xí)的過程中,采取五步學(xué)習(xí)法:初讀-熟讀-精讀-賞讀-展讀(板書)
一.教材理解教材地位與作用:本單元“閱讀與鑒賞”部分,本單元要求學(xué)生能在了解詩歌創(chuàng)作的時代背景的情況下通過反復(fù)誦讀詩歌,把握其中豐富的意象,領(lǐng)悟詩歌獨特的意境和詩人所要表達的情感?!队晗铩肥乾F(xiàn)代派大師戴望舒的成名作和前期的代表作,他曾因此而贏得了“雨巷詩人”的雅號。本單元以《雨巷》為例子給學(xué)生展示了象征主義詩歌的特點,《雨巷》運用了象征性的抒情手法。詩中那狹窄陰沉的雨巷,在雨巷中徘徊的獨行者,以及那個像丁香一樣結(jié)著愁怨的姑娘,都是象征性的意象。這些意象又共同構(gòu)成了一種象征性的意境,含蓄地暗示出作者即迷惘感傷又有期待的情懷,并給人一種朦朧而又幽深的美感。富于音樂性是《雨巷》的另一個突出的藝術(shù)特色。詩中運用了復(fù)沓、疊句、重唱等手法,造成了回環(huán)往復(fù)的旋律和宛轉(zhuǎn)悅耳的樂感。因此我把本課的教學(xué)重點和難點確定為:教學(xué)重點:通過反復(fù)誦讀,領(lǐng)略詩歌的音樂美以及分析其成因教學(xué)難點:分析意象以及其象征意義初步掌握鑒賞詩歌的方法
[教學(xué)反思]人教版高中語文必修二第三單元安排了《蘭亭集序》《赤壁賦》《游褒禪山記》三篇古代山水游記散文,它們借游賞之事,探索生命的意義、治學(xué)的道理。師者,所以傳道、授業(yè)、解惑也。高中的教材選用的都是歷史經(jīng)典名篇,每一篇都閃爍著儒道釋等百家光輝的思想。編者要老師傳道的意圖很明顯。即非如此,看著這些影響歷代、影響世界的如日月之耀眼光華的偉大思想就躺在我們的教科書里,又如何能不講呢?所以,我將本課的教學(xué)重難點擬定為:幫助學(xué)生建立積極的生死觀,掌握多角度看問題的正確的思想方法。當(dāng)然,也讓學(xué)生領(lǐng)會了融寫景、抒情、說理于一爐的大家手法。整堂課各教學(xué)環(huán)節(jié),環(huán)環(huán)相扣,過渡自然,讀、思、議、寫訓(xùn)練到位,而且全部圍繞“生死觀”展開,如一篇形散神不散的散文。
學(xué)法指導(dǎo):高一學(xué)生對文言文閱讀已具備了一些基礎(chǔ)知識和積累,但對如何學(xué)習(xí)文言文,還是一個新課題,因此教師應(yīng)引導(dǎo)學(xué)生掌握學(xué)習(xí)方法,運用已有的知識框架同化新信息,建立新的智能,逐步走向獨立學(xué)習(xí)的境界。一、引導(dǎo)學(xué)生利用課文注釋,使用工具書自己翻譯,必要時教師進行點撥、解難,培養(yǎng)自學(xué)能力。二、告訴學(xué)生翻譯文言文要遵循的原則。三、調(diào)動學(xué)生思考、討論、交流的積極性,教師適時點撥,培養(yǎng)學(xué)生發(fā)現(xiàn)問題、解決問題的能力。四、提示學(xué)生反復(fù)誦讀課文,體會文章所闡述的道理。五、鼓勵學(xué)生及時歸納學(xué)習(xí)文言文的方法,注意積累文言文知識。教學(xué)程序:教學(xué)本課可安排2課時。第一課時:1、導(dǎo)入新課:首先給學(xué)生介紹毛澤東的七絕詩《為李進同志題所攝廬山仙人洞照》:“暮色蒼??磩潘?,亂云飛渡仍從容。天生一個仙人洞,無限風(fēng)光在險峰?!睂W(xué)生通過誦讀領(lǐng)會了“無限風(fēng)光在險峰”一句的含義。隨后因勢利導(dǎo),引出課題,指出今天我們要學(xué)習(xí)的王安石的《游褒禪山記》,就含有類似的深邃哲理。
【教學(xué)目標(biāo)】我設(shè)置的本課的教學(xué)目標(biāo)有三個:1、知識與技能(1)了解曹雪芹及《紅樓夢》(2)學(xué)習(xí)通過一個人物的行蹤、所見所聞,介紹典型環(huán)境,認(rèn)識封建貴族階級豪奢極恥的生活以及森嚴(yán)的等級、禮儀制度(3)分析小說人物出場的描寫藝術(shù),培養(yǎng)學(xué)生分析小說人物形象的能力。(4)一葉落而知秋”,通過對“林黛玉進賈府”這一故事情節(jié)的把握是否能引發(fā)對《紅樓夢》的認(rèn)知興趣,并找到一個突破口,有針對性地進行自主探究,進而進行個性化解讀。(5)整體認(rèn)知小說,認(rèn)識小說悲劇的必然性和思想價值.2、過程與方法(1)用直觀演示和歸納探究法分析文章要點。(2)用討論探究法體驗作者對文中人物的情感態(tài)度。3、情感態(tài)度價值觀(1)正確理解《紅樓夢》的思想內(nèi)涵,培養(yǎng)學(xué)生熱愛祖國傳統(tǒng)文化的思想感情。(2)認(rèn)識封建大家族的腐朽沒落,理解賈寶玉追求個性自由反封建的精神。
(1)“問君西游何時還……使人聽此凋朱顏?!痹婎}下未注明送何人入蜀,所以這里的“問君”無妨假定實有其人,可以讀得親切一些。將行而問“何時還”,已有不可行之意,重音要落在“不可攀”三字上,當(dāng)用勸說的語氣讀。以下四句借鳥聲渲染旅途中悲涼凄清的氛圍,讀時要放低聲調(diào),有干里孤身之感,至“愁空山”徐徐而上。然后用感喟的語調(diào)讀主旨句,至“凋朱顏”略作一頓,以示意猶未盡。(2)“連峰去天不盈尺……胡為乎來哉!”仍是說不可行,但內(nèi)容加深了一層,因為說的是蜀道的險惡。前四句不是純客觀的描寫,讀時須設(shè)想這是旅游者攀援于“連峰”“絕壁”之上置身于“飛湍瀑流”之間,要使聽者感到驚心動魄。讀后可作稍長停頓,再用“其險也如此”緩緩收住。末句是詩人借用蜀人的口氣,對歷險而來的游者深表嘆息——“胡為乎來哉”不是詢問,當(dāng)用降調(diào)讀,暗含“何苦而來”之意。
When it comes to the students’ studying methods, I'd like to introduce my Ss first. The Ss have a good command of basic language points. They’re interested in learning English, and they take an active part in English class, so they will have fun in autonomous, cooperative and inquiry learning. I will just serve as a guide, showing them the way to explore how to make more progress in their English learning.Now it’s time for the most important stage of this lesson. My teaching procedures are arranged as follows:Step1.Leading-in (3 minute)Play a video of a wide variety of wildlife to introduce my topic. Step2. Speaking (12 minutes)We will use our textbook Page25. Let the Ss fast read the short paragraph to warm up. Ask them to talk about the report on some endangered wildlife in China with the dialogue patterns on the screen. Lastly, I will invite some groups to demonstrate their dialogues about saving wildlife in China.Step3.English play (3 minutes)Watch another video in praise of their excellent performance just now. It’s about Jack Chen’s(成龍)and Yang Ziqiong’s wildlife protection.Step4. Listening (twice 13 minutes)This time, I’ll ask the Ss to fill in the blanks of the monologue of the 2 movie stars above. Step5.Discussion (3 minutes)Which would you like to choose to wear, clothes made of cotton, artificial leather or animal skins? Why ?Step6. Summary (3 minutes)1. If there were no wildlife, there wouldn’t exist human beings. If the buying stops, the killing can, too.2. Animals are our friends. To love animals is to love ourselves. Stop hunting, killing and destroying wildlife.3. Let’s live in harmony with all the living things in the world. Step7. Music appreciation (3 minutes)Let the Ss appreciate the song Earth Song by Michael Jackson. Last but not the least, I will show you my blackboard design.
Then I would ask them to think of a funny English or Chinese and tell it to partners. While telling stories, they can use expressions and some acting to help make the story funny. 5 minutes would be given to do this.Those stories they told there will be the material for their writing. Soletting them tell it at first is helpful. And they can make a difference between telling a funny story and writing it down. Generally speaking, it is difficult forstudents to write well because they don’t know what to write and how to write. Asking them to tell their own stories at first can help them come up with what to write.After their telling, I would invite someone to share his/her story with all of us and I would write it down on the blackboard.This example story would be used as a sample to illustrate the format of funny story. Different from a story from teacher or textbook, a story from students can obviously become a interesting material to draw students’ attention.Then I would ask the whole class to put this story into several parts. It might be a little bit difficult for them. So I would ask them to find out whether all the sentences are necessary. After delete some sentences, there are 6 sentences left behind. Then they can easily put them into three parts. After interaction with students, I would teach them the right terms for each part and conclude the format of funny story.This step is the key and difficult point in my lesson. So I mainly usetask-based teaching method in this part and the task for students was divided into several stages. With the separated difficult level, students can find there are usually three parts in writing. They can also learn to write without the unnecessary parts in the process of analyzing. And then I wouldn’t rush to tell them the right terms to them directly. Instead, I would ask them to name them by their own. A confused mind is better for acquiring knowledge.While-writing:Then I would give students 7 minutes to write down this story, without other requirements.With all the preparations in pre-writing, students’ difficulties were cleared. So it would be much easier for them to write down the story within 7 minutes. There are no other requirements because students’ first writing is actually a drafting. It would be revise and edit several times later. Writing, as a skill